Date(s) - Wednesday, April 4, 2018 - Sunday, April 29, 2018
“Four Ways In”
New work by Sally Clegg, Claire Crews, Kevin Pomerleau, and Esther S White
April 4-29, 2018
Image by Sally Clegg
Esther S White, Kevin Pomerleau, Claire Crews and Sally Clegg present new work in conversation. The four artists have been meeting since September 2017, building a routine of collaborative thought and curation. Working independently, they have each created work that in a variety of ways addresses the subjects of touch, permeability, barriers, visualization, and proximity. Their work spans across the mediums of printmaking, textiles, book arts and sculpture and is concerned with these common themes: recognition of touch as a destructive force, textiles as a stand-in for intimacy or the domestic sphere, and documentation of time through printmaking. The artists work alongside one another at Zea Mays Printmaking and in this exhibition operate as a collaborative curatorial/studio art team, developing both existing personal projects and new collaborative artwork specifically for the gallery space at A.P.E.
Esther S White is a visual artist and curator. Her artists’ books, textiles, and prints reveal an experimental approach to materials and an interest in personal history. She is currently an Artist in Residence in Motherhood.
Sally Clegg is a visual artist and writer. Sally was awarded an MCC 2018 Artist Fellowship for Drawing & Printmaking. “My goal as an artist is to bear witness to private, protected, or otherwise invisible experiences or forces. My work integrates information from observation with invented content to create and manipulate narrative. I am continuously seeking the intersection of written and visual storytelling, and regularly experiment with utilizing literary tools in my visual practice, such as structural elements used in poetry, comics, and prose.”
Kevin Pomerleau is a printmaker. His work focuses on telling stories through images of the textiles present during pivotal moments of his own life. Pomerleau’s work entices the viewer to peer into his world without actually allowing them to enter, touching on themes of isolation, connection, and the plights of the queer community.
Claire Hawley Crews is a weaver and printmaker. Claire’s work interrogates digital technologies, memory and documentation, intimacy and ambiguity, from a growing technical knowledge of textile craft and intaglio printmaking.